I don’t know if Add Carabao directly identifies as a humanist. He does strongly identify as a Buddhist and accepts the label “Songs for Life” as the genre that he usually works in. But as an atheist and a humanist myself, I have noticed that Add Carabao’s works seems strongly humanist. To make that point, I give a definition of humanism below followed by excerpts from 32 songs that back up my observation that his work is humanist (has all the important humanist elements). I have only translated 300 of Add Carabao’s songs, so perhaps 10 percent of his work is strongly humanist in a way that feels universal.

Of course, many of the more Thailand-specific songs would also be humanist (for instance “นส. 3 ก.” or “NS3K Document”) but would be harder for a non-Thai to understand and so would not be used an example here.

So here is a definition of Humanism from The Humanist Magazine quoted prominently at the website of the American Humanist Association: “Humanism is a rational philosophy informed by science, inspired by art, and motivated by compassion. Affirming the dignity of each human being, it supports the maximization of individual liberty and opportunity consonant with social and planetary responsibility. It advocates the extension of participatory democracy and the expansion of the open society, standing for human rights and social justice. Free of supernaturalism, it recognizes human beings as a part of nature and holds that values-be they religious, ethical, social, or political-have their source in human experience and culture. Humanism thus derives the goals of life from human need and interest rather than from theological or ideological abstractions, and asserts that humanity must take responsibility for its own destiny.”

If we compare the humanism seen in Add Carabao songs to western humanism, the biggest difference might be the enthusiasm for moderation (the Middle Path).

Browse the translated lyrics below and draw your own conclusions. Before you start, check out the entire songs ความจริง Kwam-jing   “Truth” and คนล่าฝัน Kon La Fun “Dream Chaser” if you haven’t already. And perhaps read my review of the recent compilation album Poem (I have discussed humanism in those songs elsewhere and so don’t cover those important songs here). If you are skeptical that Add Carabao is “free of supernaturalism,” read the interview I have titled “Add Carabao clarifies his religious position.”

Below are 30 key songs lyrics excepted in English translation (a few of the songs, including the first one, were not actually written by Add Carabao, but he was always in control of which songs went on the official Carabao albums and, of course, on his own solo albums). Click on the hyperlinks for the song with full details. And remember the music carries meaning on its own, even apart from the lyrics.

ปลาใหญ่ ปลาน้อย Bplaa Yai Bplaa Noi Big Fish, Little Fish

“One animal has a body large and bold
Has great strength and is totally savage
Devouring the small animals, so they die and are gone
It is natural law that brings it about
Big fish eat little fish
Big animals eat little animals
It’s a law . . . Not [for] people

Look around at human society
Having hands that overflow with merit/virtue
People have moral principles that will lead them
The light of Dharmic truth guides us like a golden light

Be king and generous to each other, brothers and sisters
Compassionately support/maintain the world, brothers and sisters
It’s not like we’re [pieces of] dead wood; we’re friends

…Big fish are friends with little fish
Big animals are friends with little animals
It’s a law . . . create/build the laws together, people!

(1981)

มนต์เพลงคาราบาว Mon Pleang Carabao The Spell of Carabao Songs

“Come sing songs to soothe the heart and give [us] energy
to study diligently, to pursue learning
to at last be way out in open, not inactive
A rhythmic trance, being into the lyrics of the song

There is no competition in music
There are truth and dreams in music
There is music played in this world of freedom

There is music played to signify the lives of people.
The tune reflects real life
It is essential advice for real life
beautiful and meaningful. Don’t leave it behind
[and] forget [it] while dancing in the center of the floor”

(1981)

บัวลอย Bua Loy

Note: This song celebrates the sacrifice of an ordinary soldier, whose name Bua Loy means “Lotus Leaf.” This works for the song because a lotus grows up through the water and finally blossoms above the water. Bua Loy matured and “blossomed above the water” in his selfless final act. It is one of the best known Carabao songs. Below is my singable, rhyming translation.

“Bua Loy, this guy I know
He always limps, he’s got crossed eyes
He’s not that much to see
but his mind is high, like the Lotus Leaf
A friend when you need a friend
A cook when you need to eat
A doctor if you scream in pain
He’ll get you back on your feet

Bua Loy’s been handicapped
And so of course he escapes the draft
But still he volunteers
The man is brave and he endures
He works hard all the time
A humble, normal guy
Helps out every friend
He’s there through thick and thin

. . . One day the guns resound
Bua Loy is lying on the ground
Mumbles “Are y’all OK?”
The very last words Bua Loy will say
From that day ’til this day
In a farmhouse on a hill
Bua Loy is absent still
It’s listless there and grey

Spoken:

This world is all messed up
‘Cause some care just about their own needs
How many people in this world
Rise as high as this lotus leaf?

Sung:

This world is all messed up
‘Cause some care just about own needs
How many people in this world
Rise as high and become free . . . . as Bua Loy!!!!!”

(1984)

เรฟูจี Refugee

“. . .all that’s left is boats drifting in
Come on, come on, welcome Refugee!”

(1984)

เสียงเพลงแห่งเสรีภาพ Siang Pleang Heng Saripaap Music of Freedom

“If we want to go forward
[one] must create confidence
or democracy
that is really true, like we long for
so that Thai people can have freedom

Music so [we can] express [to everyone]
that we yearn for a great freedom.
Music so we can express
We long for liberty
Music of freedom

Free-dom!
Music of freedom
Free-dom!
Music of freedom
Free-dom!
Music of freedom
Free-dom!”

(1985)

ประชาธิปไตย Bprachaatipbpadtai Democracy

“Let the citizens have the right to vote
People come grab the reigns of the lives of citizens
[We] will rule the democratic system
Will we play Thai-style or like the system internationally?”

(1986)

ถึกควายทุย ภาค 8 Tuk Kwai Tuey Pak 8 Tuk, the Buffalo with Short/Twisted Horns, Part 8

Note: Bamboo spreads by sending out runners that send up new shoots from underground. In the song “Mai Pai” all the people in the world are said to be related to each other like the bamboo in a clump or grove. In the context of the song “A clump of bamboo” means other people will pop up to take up the project even after you are sidelined from the action.

“Manohk, oh, Manohk
The world still needs people who do good
You are not all alone
On the contrary! A clump of bamboo!

There are still bamboo shoots
putting out leaves, splitting into new clumps
To be shoots to be rows
To be skin and flesh
To be energy
To be strength of spirit
To give moral support”

(1987)

เพื่อเมืองไทย Peua Muang Thai For Thailand

Note: This song originated as a Coke commercial and is addressed to Thai young people. The word “kwam bpen Thai” that I have translated “Thai-being/Thai culture” is usually translated “Thainess,” and “Thainess” is often held up as a standard that young people must conform to. Add Carabao has turned this idea on its head.

“Now the river basin of Thai-Being/Thai culture
goes however we go,
is as we are
No exceptions ever
[If you] don’t try, of course, you won’t know.
It’s something deep from the thoughts in the heart.
If [we] let you teach, will you teach?
If [we] have you think, what will you think?
If we have you do/make [something], then what will you do/make?
[Go ahead! Do it!]

With love and intention
Confident even for a long time
You are the beautiful future
People who carry on the creation of Thai society
It’s something profound from the thoughts in one’s heart
If [we] let you teach, can you teach?
[We] want you to think. What do you think?
[If we] have you do [something], what will you do?
It’s something deep from the thoughts in the heart
Open doors! What doors [will you open]?
[We] want you to think. What do you think?
We’d have you do [something]. What’ll you do?
It’s something deep from the thoughts in one’s heart.
We’d have you do [something]. Can you do it?
For Thailand with [your] heart and mind.
For Thailand, what will you do?”

(1991)

ในนามแห่งความรัก Nai Nam Heng Rak In the Name of Love

“Tell the person beside you, please tell them loudly, that love still exists
What disappeared from this city is still fine; it hasn’t fled anywhere
A city where people urgently push and crowd and rush around
The city where there the cars are stuck in traffic and [drivers] compete for breathable air
Nature had to be destroyed
Exchanged for drunkenness, lust, and passion . . .Lust and passion

Tell the person beside you, please tell them loudly, that love is calling for you
But in this period, people right now are dazzled by civilization [by the big, bright city]
Walking like blind people, their eyes unseeing
Groping for a way to survive, devoid of kindness
Where are there any schools or universities that teach people to be human? . . .Teach people to be human?

But great love hasn’t yet arisen. Support each other if you are able.
Until the sky collapses
The land crumbles
Even if the world is razed to the ground and destroyed by fire for all time
There in a dream, at one time love had arrived
On the earth, once upon a time, it’s beautiful with color,
nature, many species of wild animals and plants,
People love each other like a verse of poetry, brothers and sisters!
(2X)

Tell the person beside you, please tell them loudly, that love is begging you
The love from two people, has a harmony that is beautiful, wonderful
Young people are [our] strength; they are [our] hope
[One’s] two hands are where [it starts], not [with] some third party
Love wants me to follow it. I come in the name
of love!
Love wants me to follow it. I come in the name of love!
Love has me come along. I come . . . . in the name of love!”

(1994)

หลวงพ่อคูณ Luang Por Koon

Note: This song is about the famous monk Luang Por Koon, who passed away (in 2015) at the age of 91. This song is on the album, “People who Create the Nation.” It seems that Add and other Carabao band were followers of Lung Por Koon, as were many Thai people. He was thought to have especially strong magical powers, but this song makes fun of the superstitious followers and has Luang Por Koon telling his followers that it is really up to them to fix things. The notes under the official video say [in translation]: “Don’t be wrapped up in waiting for fate or relying on a Buddha image only. It should also depend on the efforts and perseverance of each person.”

“Auspicious, great, kindness
But upright people, students of Luang Por Koon
All flow in to make merit.
The blessing of Luang Por Koon:
May you be rich, rich!
Accepting and giving out auspicious objects
and sprinkling holy water
His holiness helps upright people
To walk on the path, safe, going along beautifully,
doing business, rich
Like winning the lottery, a big number

Just this please, Luang Por Koon?
Please protect us, please protect us!
[They] grab and soak in the holy water

There are many disciples/followers
There are many government ministers, and members of the House of Representatives
They all ask for blessings continually
Luang Por tells these young guys,
the kickboxers, gangsters, and players,
the stars, lucky and prominent, confident to the point of amazing
Luang Por Koon, he tells these young guys,
It’s [really] up to you guys
to be thinking about good and evil
Good and evil is inside the skull
I come and knock [it], bonk! bonk! Be sure to remember and not forget!
(Good and evil is inside the skull)
I come knock [it], bonk! bonk! Be sure to remember and not forget!
Enter all you government ministers,
Members of the House, mischief makers, I will give a blessing:
Go sit in Parliament
I won’t have you speaking abusively. [You] must be aware!
Hang a monk or Buddha [amulet around the neck] to be an model
The citizens are distressed
And so they march [in protest]”

(1994)

รกกำเนิด Rok Gamnert Original Placenta

“The tall skyscrapers are so beautiful you crane your neck [to look up]
Manufactured products come from minerals and woods
However tall you build it, there is likely no point [no benefit]
If the forested mountain must be completely destroyed

In less than 100 years, that’s all, one’s home is pounded to dust
A very tall building will not endure as long as the mountain
Why do humans lose their way and damage their original placenta?
Nature, oh, Nature! . . . Tears fall”

(1997)

ดาวแห่งโดม [ปรีดี พนมยงค์] Dao Haeng Dohm [Pridi Panomyong] Star of the Dome [Pridi Banomyong]

Note: Pridi Banomyong led the revolution that changed Thailand from absolute monarchy to a constitutional monarchy in 1932, so he the founder of Thai democracy. He is also the founder of Thammasat University.

“The human world will be beautiful if people dare ask themselves,
Throughout life, do I ever dare challenge injustice?
Let this bruised gloomy burned world meet its fortune and fate
But the person named Pridi dared to do it. Remember this for sure!”

(2001)

ดอกไม้สีชมพู (Dok Mai See Champoo) Pink Flower

Note: This is a heart-wrenching song about the plight of a transgendered person. Add wrote it in 2002 in the first person, and sings it himself (similar to the song “Please, Answer the Child” where he puts himself in the place of a child.)

“My fragrance stimulates the heart. I’m a pink flower
lonely, shimmering. In the end, I’ll be alone and depressed
I want to scream and cry so the world knows
Ask them, Just where am I wrong?
Am I wrong that my heart is a girl?
Am I wrong that my body is a boy?
My body I still don’t understand
I want to have someone to come and understand me [enter my heart]

A flower has no right to chose
A group of insects come to smell
Bow the head and accept the bruising.
I’m a pink flower.”

(2002)

ไม่ยืนยง Mai Yuenyong Not Endure [Forever] 

Note: Add Carabao’s real first name is “Yuenyong” which means endurance. So when he is saying endurance doesn’t endure. He is talking about his own mortality.

“My hands have a guitar. With perseverance [I] distill songs from tears
Loves songs are written by a pen, but my songs are written by life.
Lyrics for life.

The sky is still wide open. The sparkling rain waits to sprinkle the ground so perennials are waving branches in the wind
The story of a small person who becomes a popular is like [when] insects come and joyfully smell a blooming flower. . . .

[There’s] the saying that endurance doesn’t endure. Endurance doesn’t endure.**
Oh . . .Oh . . . Yuenyong doesn’t endure.”

(2004)

ความหมาย (Kwam Mai) Meaning

“Life’s meaning is determined by [those] having life.”

(2005)

เว้นวรรค Wen-Wak Some Space

Note: According to Thai Wikipedia, there were many Songs for Life artists and music stars with the crowds gathering to drive out Prime Minister Thaksin Shinawatra, but not Carabao or Add Carabao. Someone asked his opinion and he immediately wrote this song, which was interpreted to mean he thought Prime Minister Thaksin should step down. He refers back to Cruel May 1992, a mass popular uprising, in which he participated, that ended with a  massacre of protesters by the military.

“Lower the temperature of harshness
Everywhere people are glaring suspiciously at each other
The ghosts of the city whisper of evil omens coming
The blood and tears of Thai people will flow to caress the land

Cruel May [1992] I hear/feel the sound of the guns resounding,
lashing into [our] mothers, father, sisters, and brothers at Sapaan Paan Fai [The King’s Bridge]
Fear speeds over to impress itself on the heart. Death is carried on its back
[You]  tell [your]self “I’m outta here,” get out of the way, and hide from the violence

Everyone retreat their different steps, so afterward we can move forward
Democracy will gain strength
For Thailand, why must we buy [it] expensively?
In a dignified way, [we can] lower the harshness by taking a break [by means of spacing]”

(2006)

ขี้เมากะเพราแตะ Kee Mow Graprow Dtae The Drunken Basil Flip-Flops

Note: From a silly song that tells the story of a wife who gets sick of being bossed around by her husband at his drunken party, and when she runs out of food in the refrigerator and he is still demanding more stir-fried basil dishes, she cuts up her flip flops and makes stir-fried basil flip flops to serve him and his friends.

“This is the story of basil stir-fry that quite clearly stir [fries] for women’s rights
Watch out! The alcoholic who likes to oppress will one day encounter the drunken basil stir-fried flip-flops”

(2006)

ตอบหนูที “Dap Nu Tee” Please Answer the Child

Note: This song is about a terrorist attack on a school. And the pronouns used are all the pronouns used by children, so this puts the song in a child’s voice (although Add sings it).

“The smoke drifts and lingers
The truth appears before us
The scene blurry because of a curtain of tears
Alas, the school was burned last night
The sadness isn’t over [?]
The teacher died, hit by a bullet
This morning we still had a teacher standing
beside us kids
looking at the ruined school

What was it my school did?
Why’d you have to burn the school?
Did my teacher do anything?
Why’d you have to kill the teacher?
Was my school hurting anyone?
Why destroy the school?
How was our teacher in the wrong?
Why did you have to kill the teacher . . . of us children?

So I now I will study wherever
And who will come be the teacher?
And why be so cruel to me?
Whoever knows, please answer me”

(2007)

ผ่านพบที่ผูกพัน Paan Pop Tee Pook Pan The Encounter that is a Lasting Connection

“As life goes along, the more you look, the more it resembles a soap opera. Shoulder love, shoulder struggle. Cross the sky, mountain, and sea.
For the most part, it’s disappointment, experiencing only failure. If just sometimes, or only once, something fulfills your expectations, it’s enough
Because life is short. You encounter [something], and instantly it passes
But it’s likely to leave furrows, buried deep in the memory.
Do you ever sometimes have someone . . . you meet and are instantly bonded?
Even through day and night you dream away and don’t forget . . . . the encounter that is a lasting connection

Himalayan glaciers melting and flowing down to sea. This life is like that: it begins then dies and disappears.
But love, on the other hand, is secure, arising as a legend, calling out [a song] –a melody of happiness mixed with suffering mixed with relationships/strong connections.
Because life is short. Encountering [something], it shortly passes
But it’s likely to leave furrows, buried deep in the memory.
Do you ever sometimes have someone . . . you meet and are instantly bonded?
Even day and night you dream away and don’t forget . . . . the encounter that leaves a lasting connection

In the place we struggle (even if in the end, we arrive at the same place as before) – in the place we yet walk, it’s still good to have love
This mix of happiness and suffering is only an obstacle. In difficult places one is likely to come across the encounter that leaves a lasting connection.”*

(2008)

* I found a video in which Add introduces the song. He says: “In this life of ours, we are born alone and die alone. Maybe there are some times—some times or some people who give rise to a feeling of awe or being impressed, never to be forgotten. You might take it and turn it into lyrics or poems or compose a song. Or some people will go create movie or a TV drama. I believe all of us have something like this that comes our way. It’s not necessary to tell anyone. Keep it to yourself in your heart, know of it yourself, and you’ll be happy just you yourself. If you do this, you’ll feel good. But if you tell someone, nobody will criticize.”

เพื่อชีวิตติดล้อ Peua Cheewit Dit Lor For Life on Wheels [The Motorcycle Song]

“We get one life. Use it complete,
So it’s enough. Two wheels, just pay for fuel, and drinking up”

(2009)

เพื่อผู้ลี้ภัย Peua Poo Lee Pai For Refugees

Note: From a song that advocates alternatives to refugee camps for refugees.

“Freedom is a life that people have a right to by birth.
Freedom is something that every person seeks. They want something more than a refugee camp.

Immigrants are all along the back of the ax.* They all have spirits and minds aiming for freedom.
I want the world to know through this song that refugees here and anywhere are people

This is an appeal to [my] Thai brothers and sisters
Please recognize the story of refugees
Counting to 100s of thousands of lives. They remain waiting with hope
Waiting for sympathy to help them push forward
See the significance. People change lands
In order to have lives of human freedom
That freedom is a life that people have a right to by birth
The freedom we all seek is to have more than the
rights of only a refugee.”

*The map of Thailand is compared to an ax, so along the back of the ax would be along the border with Myanmar.

(2008)

สุดขอบฟ้า Sud Kob Fah The Horizon

Note: Add wrote the hook for this inspirational song by the rap group Thaitanium.

Add sings

: “…If in that day [they] didn’t try,
today who knows where we would be standing?
[One] must live life with regret that [one/someone] didn’t do it.
Life would probably lose its meaning if we don’t do it. Woot! . . .

Day raps:

Way up high in the sky, it’s very cold
There is a storm, there is a story.
You can’t see, there’s a white fog. Really?
Up in the dark sky, a shiny star is sparkling
Shining brilliantly. Who is that star?
Tell me, who are you?”

(2010)

กำลังใจคาราบาว Gamlang Jai Carabao Carabao Strength of Spirit/Moral Support

Note: This song celebrates the 30th Anniversary of the band Carabao. (They always have special songs on the multiple-of-5 anniversaries of the band).

“On the road, our Songs for Life are a product of social ideology
Good and bad [examples] in the songs that one day will be a legend, a spirit aiding each other
But on the Middle Path in religion, certainty is uncertain
Bow and accept life as it comes, like a person who is drenched until you know [you are] awake”

(2011)

แสงทองส่องทาง Seng Tong Song Tang Golden Light Lighting the Way

“Every person should have the right
to think and to see what seems to be problem.
Why don’t you ask yourself sometimes,
why must [they] always be flexing muscles?
To be in a warm embrace, is something everyone needs
But not teargas [and a] spray of bullets!

. . . .A bird flies where he likes,
[If he] wants to eat, to sleep, he has the freedom
Why don’t people have freedom,
even though people are much more sophisticated than birds?

. . .Young men and women you have a pure heart
Continue fighting. This world will be in your hand.
Guardians come and then pass by
Citizens are the ones who will continue standing up
To be in a warm embrace, is something everyone needs
But not tear gas! Not a spray of bullets!”

(2012)

ยังบาว Young ‘Bao

Note: From the theme song for the movie Young ‘Bao, a movie about the formation of the band Carabao.

“If this world didn’t have songs, people would remain colorblind
For the one life that [we] have: lively music, lively dancing to refresh the heart!”

(2013)

อยากได้อะไรทำไมไม่บอก Yaak Dai Arai Tamai Mai Bok If You Want Something, Why Don’t You Tell [Us]?

Note: This is a song addressed to the Muslim population in the south of Thailand. He is pleading for a peaceful resolution of the problem (in an area conquered by the Kingdom of Siam in 1785) rather than terrorism (as mentioned in the song ‘ตอบหนูที “Dap Nu Tee” Please Answer the Child).

“If one could apologize on behalf of others, I want to apologize, on their behalf, for the purpose of redemption
To withdraw the sin that was committed already, to eradicate [it] all until the seed(s) spread(s) out to the tip of the ax*
So sorry for our country. Our Southern home. The end of tranquility.

The suffering that is covered up and pressed down[?] [Let’s] help each other take account of it. Help each other bring it out, and fix it.
Lets combine our thoughts, our strength, our hearts. [If] you think something or want something, we want you to come explain it.
With reason, search for a conclusion, and [we] will break free towards peace.

If you want to get something, (peacefulness, peacefulness) why don’t you tell [us]?
If you want to get something, (peacefulness, peacefulness) why don’t you tell [us]?

If [you] want something, then tell us. Our mutual desire is still peace
The country probably won’t cling to stubborn convictions. The religions of ethnic groups can be different from each other.
We can live together. We can portion everything out. Please tell us.”

*The shape of Thailand on a map is like an ax. The Southern part of Thailand is the handle of the ax.

(2013)

ค่าของคน Kaa Kong Kon The Value of a Person

“The golden sun, the indigo sky,
[they] have a question: Will you struggle?
[You may] think only of being discouraged, only of waiting for luck
[Think], Where is the true value of a person?
People are born very precious/excellent
Born beautiful human beings
The value of a person still waits for the proving
So what about you? What kind of person do you want to be?

Be like the birds that soar
Out to find food to nourish their bodies
Your value that is true
I know where it is
Oneself is up to oneself
Only you yourself can support it.
Make up your mind to do it to the fullest
Be proud of the duty/function that you have
The value of a person is right here
Right here is the value for society

You have usefulness for society
You ARE a benefit of society”

(2013)

วางดาบ Wang Dap Set Down the Sword

Note: This song may annoy some people because of the context. It came out right after a coup. Add Carabao appeared to take a “give dictatorship a chance” approach (my words, not his) to avoid further violence (many died and were injured in the government crackdown on the protests.) But with or without context, the song is remarkable for its driving rock ‘n roll enthusiasm for moderation.

“Confucius once told us: Those who like to play chess
Don’t only think of attacking, so you must also have a way to retreat from an attack
It’s natural that people have their stubborn convictions
But the superior type of person sets down the sword

[To] put down the sword, trust, and back down is normal
Put down the sword in equanimity. To live as normal is more precious than anything.

People consider being born into life as so ordinary
And never think to be amazed about it
But as soon as they fall ill and the doctor tells them it’s a horrible disease
They want [everything] restored to normal

While we still have life, we need to learn to be happy
Don’t increase all the suffering with fortune, rank, desire, and passion
People are born into one life. It’s a precious creation
Normal life puts down the sword

[To] put down the sword, trust, and back down is normal
Put down the sword in equanimity. To live normally is more precious than anything.

(If it’s too heavy to bear, put it down! Then [you’ll feel] light and comfortable . . .)

Because ordinary things, actually already are special things
Really, really [special] for humans like us

[To] put down the sword, trust, and back down is normal
Put down the sword in equanimity. To live normally is more precious than anything.”

(2014)

อยากได้ยิน Yaak Daiyin Want to Hear

Note: This is another song that came out right after the coup. It pleads for reconciliation between people with polarized political views.

“What words would you like to hear from all those many people who pass back and forth?
“Hello,” sending a smile your way, would likely be better than a suspicious frown
Because in our hearts, we don’t hear their hearts. And their hearts also search to hear our hearts
If hearts can sense each other and share the suffering, happiness is not far off.

This world still needs love. This world still needs empathy/mutual understanding
Catch each other’s eyes with forgiving love, and move forward learning from it.

We have mountains, rivers, and oceans. We have all kinds of animals sharing the habitat
There are humans, there is you and me. Here is paradise: the one and only world right here.
They say that our world amounts to the tip of the antennae of a snail, [that] life gets tossed away like a cigarette butt
[We] must learn about our hearts and minds; release the spirit to cross the bridge to freedom

There is no happiness comparable to peace. All [our] experience shows this is true
There is true, earnest anger. History is [our] example.
It’s a question awaiting an answer from people.”

(2014)

น้ำ Naam Water

“The most important thing about humankind is that life is precious
We are born because we are born. It wasn’t destiny or the business of anyone
The time we have isn’t that long. We must do [what we do] following our love and desires
The water is polluted because [we] give up on our beliefs [and] don’t persist in searching for truth, which is a thing that doesn’t die”

(2015)

เพลงของกู เวอร์ชั่น 3 Playng Kong Gu Version 3 My Song, Version 3

Note: This song, posted straight to Facebook, seems to respond to criticism that Add Carabao had strayed too far from his early Communist and then pro-working class ideology, becoming a rich capitalist.

“Songs for Life arose and still exist
They are a door, they are defining
October 14, 1973 [a famous popular uprising against dictatorship]
A tragic day this world must remember [because so many died in the struggle]

But this song here, is MY song
Written from what I know
Know from Buddha’s teachings
Know from a heart that is brightened/clear

Songs for Life were written to join the struggle
In the middle of the jungle, in the middle of the mountains. The troops in the jungle have guns
Saying goodbye to the classroom. We let it all go
Many hundreds and thousands [for] not a very long time.

[Our] ideology lead us far
Then we were defeated. It was like waking up from a dream,
turning back to reality

MY song. MY story.
The song of me. It doesn’t stay still
Everything changes according to the factors
Everything changes, and the lyrics also are not the same as before

The Songs for Life are dedicated to those people
Who still fight throughout the country of Thailand
Relieving sadness, a blanket for the heart
Just this, which is all I can do. Just that, which is what I know

But this song here is my song
My body is mine. My songs are mine
For a life of independence [not under anybody else]

My song. My story
My story. It doesn’t say still
Everything changes according to the factors
Everything changes, and the lyrics also are not the same as before

[Then he starts singing in Pali (seems to be a Buddhist chant)]:

Wa ya taama sangkara
Aba ma tay na sambpa tay ta”

(2017)

กัญชาคอมมิชชั่น Ganja Commission [Cannabis Commission]

Note: Carabao played a role in a successful campaign to decriminalize marijuana in Thailand! In order to do it, they had to openly apologize for an early song that (probably disingenuously) condemned marijuana.

“Ganja. America makes cold war
Ganja. Pressuring the UN
To force the third world, as with Thailand, Laos, and Cambodia
to pass laws [treating] ganja as an addictive drug

… America forbids us, but they turn around and use
Both cultivating and selling, [cannabis] blooming is [big] business
Thais and ganja have been closely tied since forever
Then the law comes along and classifies ganja is an addictive drug
Those who grow it and add it to chicken soup are still guilty!
It’s an infringement on the rights and liberties of the people!
So who takes commissions [to grow ganja] and kickbacks from the Cannabis Commission?

… Ganja is a medicine, a local herb
That’s been around for so very long, since the Age of Narai [1631-1688]
But America is afraid they won’t be able to sell it [because Thailand will underprice them], and so they obstruct the Thai people
[They] hold that planting and using [it] is wrong
May Thais please have their rights to access marijuana?
Can we please fix the law, unlocking [ganja] from [the category of] addictive drugs?
And together we’ll help oversee use of marijuana, so that it isn’t abused
That’s better than to keep infringing on the rights and liberties of people.
It’s better than taking a commission or kickback from the Cannabis Commission”

(2019)

ยอดมนุษย์ 2% Yot Manut Song Percen The Top 2 Percent of Humanity

Note: This song relates to Add Carabao’s 68th birthday on November 9, 2022. I assume he is calculating the odds of survival for someone born in his cohort, in 1954. It includes words in Sanskrit that are used as a protective incantation. In the context of the song, it means something like “knock on wood.” The jist of the song is “We’re lucky to be alive.”

“There are 7 billion people on this planet
Do you know previously, [by] only 14 years of age,
26 percent left this world, and died, even though they were still young

[REFRAIN] Not quite yet, it’s still not our turn
We’re not buried, not burned [in a cremation ceremony] “Vaya-dhamma sankhara”* [“Decay is inherent in all compounded things]

66 percent left [this world] between ages 15 and 64
There are only 8 percent who live and eat well, until today. That is our blessing.

REFRAIN

At 65 years still 8 percent left
6 billion have left this world
The people born at the same time as me have dropped away in great numbers
I’m already lucky to have passed through young adulthood

REFRAIN

When I was born, the word was still low-tech.
Today the internet shrinks the whole world
You don’t have to go to the bank to withdraw money
Cars and trains don’t need to refill with gasoline

“Vaya-dhamma sankhara …” –– a protective incantation.
Who passes 90 years? It’s the top 2 percent.”

(2022)

This video has an excerpt from the whole statement. It turns out I can’t share the video that was recorded live and sent straight to Facebook.

At the Bom Sincharoen Fan meetup No. 4, October 11, 2023, after playing เวร Wayn (Fate/Misfortune) and then ฝ่าลมฝน Faa Lom Fon (Braving Wind and Rain), Add Carabao (Yeunyong Opakul) dropped a bombshell. (You can hear someone in the audience exclaim, “ไม่น่าเชื่อ” or “unbelievable”). In the lead-up to the announcement (which does not seem preplanned), Add is talking about the marketing of the early albums and what kind of deals they had over time and then he says he won’t be a slave of anyone. Then he says that he kept the band going for the sake of the band members so they would have work but . . . [Approximate translation:]

“ . . . when you get a band of old people, let it go. Because right now all of us are really old. Also four people in the band have illnesses. And we will break up next year after a last concert on April 1, 2024. And we will just quit. I’m telling you, brothers and sisters, this is the truth! It’s that we just can’t do it anymore. Every last one of us is old now. [It’s like] three days, good, 4 days sick [with fever]. These days, there two people sitting with me playing and another two people lying in beds in the hospital. And they just recover and come back to play. Which means, OK, it’s gotten to the time that we must let it go and accept the truth that we are old. But we are still cool!

Whoever wants to go play with someone, whoever wants to go do something, they should do what makes them happy.

I’m not taking the younger brothers, the kids, in the band along further. Incidentally, meet my nephews right there, these ones, who just turned 18. I’m asking them to come help me. They are also guitarists and can do many things. They make it so my heart is still happy living with songs/music. My life . . . I’m not a musician, I’m not a guitar player, rather my life is to be a songwriter. And it makes me happy to walk in here playing songs. One day I compose a song and can record it, and then see the song go out to society, and I sleep with pleasant dreams. I’m happy. It’s not a matter of money . . .” [Then he talks about the charities that he supports]

This was a very small intimate gathering, with like 80 people watching live on Facebook (I watched live but after the announcement), and if the video becomes available as a YouTube, I will post, because the music was AWESOME!!!

Carabao: 40 years of Legendary Songs for Life
Interview by The People Co. Premiered Sep 18, 2023

ANNOUNCEMENT: REPORTERS LOOKING FOR ENGLISH-LANGUAGE FAN COMMENTARY ON CARABAO AFTER THE ANNOUNCED BREAK-UP OF THE BAND CAN CONTACT ME AT THE EMAIL ADDRESS AT THE BOTTOM OF THE WEBSITE.

The translated intro from The People Co., begins, “The People” interviews the core members of the band, including Add – Yeunyong Opakul, Lek – Preecha Chanapai, and Thierry Mekwattana, who are members who created legendary ‘Songs for Life’ ever since the album Made in Thailand, which is packed with timeless songs.”

I’ve translated the interview in full. The video begins with highlights from the full interview. These comments are out of context, and will come up again in context, so I didn’t translate them. So my transcript begins at minute 1:32. I’ve added some of my own headings in green, in addition to translations of the text headings provided in the video.

DISCLAIMER: This translation has not been checked by a second translator. Consider it an aid to further research. That is before you depend on it, check the translation yourself.

[The words on the black screen: “40 years Carabao. From the start of the fight/struggle until today they are a legend.” Bua Loy plays in background]
Add’s early musical influences
Add: My life of music began from home because my father was a musician and the leader of a provincial band: Ch. S. P. Band, or Band of the People of Suphan. I came up seeing only musical instruments filling the whole house. So I came into Bangkok and sang folk songs. I graduated from Uthen [Uthenthawai Vocational School] here, then went on to further studies in the Philippines. I intended to study and graduate as an architect, but as soon as I got to the Phillipines, I encountered a song that had just come out in 1976. It was the song Freddie Aguilar’s song “Anak.” I liked this song a lot, and it was the inspiration for the first song I wrote, the song “Lung Kee Mao” (“Drunken Uncle”). As soon as I heard this song, I thought, I need to be a songwriter. I wanted to be a songwriter. That was the minute that changed my life. When I got back to Thailand, I worked in the Housing Department. But still continued to play music. I didn’t give it up. At that time, I lived with Kai [Sanit Simsala]. At that house, Kai had a turntable, but there was no speaker. We only had headphones. I got Led Zeppelin. I had the Eagles. I had Rod Stewart, I had many, many people. It was something that added to my spirit in the way of music so my knowledge greatly increased. I was born into the local culture, but as soon as went and got the Western influence, there was a blending.

[The heading says: “Num Suphan” (“Young Man from Suphan”)* Album “Kee Mao”(“The Drunkard’)]
Add meets Lek and Theirry
Add: I met Lek [Preecha Chanapai] in school when I was at Utaen. I saw him exchanging punches with a friend of mine. [They all laugh at Lek] Oh! I was watching [thinking], “This guy can’t fight at all.” [Everyone laughs] And that guy was bigger than him too.
Lek: I can’t remember anymore
Someone off camera: How did it end, Pi Lek?
Add: But P’Lek was totally the musician of the school, and when there was a school event, P’Lek would get up and play. Back then I was like, “Whoa! This playing is beyond the ordinary!” Back then, Lek played bass. Did you play with Mook? Mook played guitar and violin. Lek played bass back then. Whao! So cool! A friend of ours.
Theirry: At that time, I also played folk songs with P’Lek, you know! Three of us.
Lek: Nana
Theirry: And P’Add came to Nana school. When I first knew P’Add, I’d only say “Hello” [and wai]. He would come sit and watch, we were like whatever, and didn’t chat, and only said “Hello, Brother” [and wai.] P’Add invited us to be in a band with him. I told him I couldn’t do it because now I was going to a foreign country.**

Add gets fired from his gig for for playing a Thai song (Lung Kee Mao) at the urging of Lek/ Lek joins Add’s band.
Add: I didn’t have a band. It was me trying to find a band. I didn’t have a band. When I made the first album “Lung Kee Mao,” it was like P’Lek has said, [like] a solo album. But I used the band Hope, a band of P’Suthep as backup. In those days, I played at Dicken’s Pub. I played with Suthep of Hope. And P’Lek came in with … was it … or not. Three of them.
Lek: At that time, I was drunk.
Add: Drunk. At that time, he had just stopped. And he asked for the song “Lung Kee Mao” (“Drunken Uncle.”) I told him, “Oh, they don’t let us sing Thai songs,” [and he was like] “No, I’ll listen. I’ll listen. Just play!”
[“Lung Kee Mao” plays]
Add: As soon as I played, the manager comes out and says, “You! Get out! I already told you not to play Thai songs, and what song are you playing? This is a restaurant selling alcohol. And what are you singing? A song where a drunkard drinks, lies down, and dies!” So I lost my job as of that day. And P’Suthep kicked me out of the band as well. So I told Keo [Kirati Promsaka Na Sakolnakorn]. And Keo had to decide, would he go with P’Suthep or would he come with me? Keo said he would come with me. So Lek said, “I caused you to lose your job, I’ll come with you. I’d better come help you out.” And so we came and made Bpae Kaai Kuat (The Bottle Collector) together. It was recorded at Flat … 2, of Lek’s. We sat and made it together.

[The song “Bpae Kaai Kuat” plays] Heading says “Formation, ‘Bpae Kaai Kuat’(The Bottle Collector]-‘Wanipok’(The Busker)”]
Add works at the Housing Department while building a musical career
Add: At that time, I worked in the Housing Department. I was lucky that I had a boss that was P’Ganak Buddhinan, who was the older brother of P’Der- Rewat Buddhinan [a founder of Grammy Entertainment], and it so happened that a relative of P’Der was married to my older sister. And so we were all related. We were “pickeled” together. And so it was comfortable. Back then I still didn’t know we were going to be successful in — whether we could make a living from it or not. So first we had to hold onto [our] careers, even though the monthly salary wasn’t that high. I started at 3,030 [baht] ($84) [per month]. But to pay for one room, it was OK, because that room Flat 17, was the product of my work — “Wanipok” and all the various other [songs] — those products. I did it for 5 years, and then I did, “Made in Thailand” and experienced success. I didn’t have any time to come sit and work [at the office]. At that point, I needed to work with music.

[“Wanipok” plays. Heading says “WanipoK, the album Wanipok”]
Add: Honestly, the songs on the album Wanipok are what allowed us to announce our birth before Made In Thailand [came along] as well. But Made in Thailand was then our peak period. P’Der said it was 5 million cassettes tapes. Because we didn’t … we had Grammy be the ones to sell it. It was the best-selling album. But we already had money in the millions [of baht] [tens of thousands of dollars] after Wanipok. When I first invited Lek and Keo to come [join me], I told them, in 3 years, we are going to have money in the millions. But it was in just one year, one year only, that we had money in the millions.

[Made in Thailand plays. Header says, “’Made in Thailand,’ An Immortal Album”]
Made in Thailand, “Nang Ngam Dtu Grajok” (“Glass Cabinet Beauty Queen”), and the issue of prostitution in Thailand
Add: Whoa! It came from each individual band member, whether it was rock, as with the songs Luuk Gaew, Luuk Hin, and whatever like these. It came from Thierry with regards to cords and whatever. If you name it like Americans [would], you could say it’s style is “Americana.” Or call it whatever you want. There was country, blues, folk; it had all sorts of things mixed together. But our style was “Americana, Thai-style.”
Add: I determined that P’Lek would sing songs about children and their families. Thierry would do love songs. I would sing songs about society. I assigned it like this.
Person off camera: There was only one song that P’Thierry sang on the album “Made in Thailand,” and that was the song “Nang Ngam Dtu Grajok.” [“Glass Cabinet Beauty Queen”]. Why was it Thierry who sang it?
Thierry: Yeah, exactly. [Meaning, “good question!”]
Add: It was appropriate that he do it [laughs].
Thierry: There are two people together. Two people. When he [wrote] “Glass Cabinet Beauty Queen” I thought that, wow, [the line] “Ten, a hundred, a thousand until the prime minister” [using the services of a prostitute] would get this song banned for sure. But it didn’t happen. They went and banned หำเทียม “Ham Tiam” (Dildo)! So I thought, that was lucky!***

At minute 8:50: [Visual excerpt from music video for “Glass Cabinet Beauty Queen”]
Add: Thailand is a country of lies. There are so many people gambling, but it seems there are no casinos. And Thailand is a country famous for having lots and lots of brothels, but there has never been a single person in Thai government who wants to say “let’s make them legal.” Until Move Forward wants to make them legal. I agree 100 percent. Make it so they are legal, no matter whether they are casinos or brothels. Make them legal and keep the taxes for the state. They’re all adults now!

Can Add repeat the magic of Made in Thailand?
Add: I think that I am [like] one bottle of liquor. One brand new bottle of liquor. You open it up and have abilities equal to the kick of the liquor in the bottle. But as you use it up, you won’t have it. The albums to come therefore won’t have it. There won’t be any further albums that will gleam like Made in Thailand because now I’m like this good bottle of liquor here that we’ve opened and drunk together. And after that, there’s no more. Because I’ve used all my strength in wanting to do this album, all of it has gone into it. After that, there’s no more. Because the source that I have in myself, it’s like the liquor that’s in that bottle. Now the liquor in that bottle had been totally used up. Unless we go find a new bottle.

[Header says: Times change after Made in Thailand]
Temporary Breakup of the Band’s Big Three and Reunion
Add: I can’t really remember, but I know that that day, we all wanted to do something following our own hearts. So Lek went his own way. Ree [Thierry] also went his own way. I went my own way. We each went to do our own thing. And in the end we knew that, if we join together, we are great. If we separate, it guarantees we are finished.
Lek: I’ll tell you this: The incidents back then, makes it so we have today. I’m thinking right. I believe I’m thinking correctly. P’Add thinks correctly that every person left because of every person. Me and P’Add here stand together with regard to work. We always argue about work; we have never argued about money. Because being in our youth, we were hot-blooded. How can we know who was right and who was wrong? Can [anyone] figure it out? Our work, I believe is ours. That’s the best way to think about it. As soon as we’ve matured, our egos are so big, both of us, all of us, that we go off and so some special solo work. Not long after we were on our own, we came back together and have worked together ever since. And it’s been smooth ever since. And we never argue anymore about work … We don’t have this in the band Carabao….

[Three of them playing Mai Pai]
Origin of the term “Songs for Life”; Add’s involvement with communism
Add: The words, “song for life” arose and are particular to Thailand. Because before that, there was the band Caravan. And there was a writer, and one of his books was called “Artists for Life, for the People,” and that writer was Jit Phumisak. Because of that, once the band Caravan came about, one writer wrote [the words] “songs for life.” But that came from this book here: “Artists for Life, for the People.” And so it gave birth to the words “songs for life.” I went and searched this world. Is there “song for life” or “protest song”? No, there’s nothing. There is no person who named them that.

Add’s relation to the October 14 (1973) and October 6 (1976) events and communism
Add: Maybe I wasn’t an October person; maybe I wasn’t a real October person, but I worked for the communists for 6 years without these guys knowing it [points to Lek and Thierry].****
Lek: Me, I was a professional musician. Like a true musician. When I came to know P’Add, it was like I knew a communist. Also, it was P’Add, who introduced us to the band Caravan, to know things like this. You have to understand that in the life of a professional musician like me, you have to drink soda pop. But the communists in past times, they didn’t even drink soda pop. Think about it. And it surprised me. Because just a moment before [Add told me that], I’d drunk some.
Add: And you also couldn’t wear high heals.
Lek: And I’d just drunk some and I was like, “Whaaa ???” And he said, “So this guy drinks soda pop!?” [Lek clutches his throat.]  And I’d just drunk some. Something like this. So I guess it’s going to be like this? Back then, P’Add’s life was intense. He led us to meet the communists. I was confused like, “Whao! What’s this?
Add: [We] couldn’t even look at women.
Lek: Uh . . Look! He told me “Lek, as soon as you grow up to be an adult why do you only look at woman in this way?” [I?] said, “’How come the adults look?’ Why do children look at girls?
Theirry: Would you have us look at men?
Lek: The way that P’Thierry looks at men is OK.
Add: I was kind of strict with the band, with the band members in that era. In the era of Made in Thailand, I’d check names. At 10 o’clock, no one has arrived. There is a board to check names.

Are the Songs for Life supposed to fight injustice?
Person off camera: P’Add, you have written in a book/magazine that Song for Life are things that fight injustice. Do you still look at the songs for life from this perspective?
Add: As for myself, throughout my life, I’ve written songs like that. For my whole life. I’m unable to write any other type of song. Actually there are some songs that are only about love, which I’ve written for Thierry to sing.
Lek: It’s that I look at the world like, in reality, us humans, you must admit you have a dream. Every person needs to eat and live happily and comfortably. About this, humans must … we must not first lie to ourselves. I hear people talk so much about ideals/ideology, but I ask you honestly, if you can’t provide for yourself, how are you going to help anyone in society? You will let your kids and wife have nothing to eat and you will help society? I don’t believe it. As for that, we must save ourselves first. We have to clean our own houses first. Then we can extend the cleanliness to the surrounding next to the house. If we have something to eat, if we have strength, we are able to make it so the world is nice to live in, to the extent that we have energy. I don’t believe that one person alone can change anything very much.

Where Add gets his ideas for songs
Thierry: Have happiness. And I got an idea also. P’Lek has your own melody. P’Add has a melody. I have a melody of my own. That’s like how I say, “Three buffalos.” P’Add has tons of stories in his head, which wherever he goes, he brings a notebook to jot them down. [pantomimes his writing in a notebook] Something like that. Bring anything to him, instantly it just comes. In a minute, it comes. The lyrics have already come [to him].
Lek: He reads so much, P’Add does.

[Heading says: Arriving at 40 years of Carabao]
Promoting the 40 Years, 40 Songs concert
Add: 40 years, 40 songs played till sick [of them] for you [honored you]. The words “played till sick of them,” mean that all of us have played together until we are bored. We play those songs until we are sick of them in order that we can play them for you [honored you]. Not that we play them so that YOU are sick of them. Those are two different things [laughs]. Decode that correctly. [We]’ll hear the songs that are familiar; doing it this way is better. But if we play the songs that aren’t familiar, like in previous eras, when we arranged a concert, other people are going to be like “you need to play that song and this song.” And they’re not familiar and we will be able to endure playing. Some of the playing will be wrong and some right. Because it’s not familiar. But for this time, 40 songs will all be familiar.
Lek: This will be special, which we have never done. We’ve never done it.
Add: We’ve never done it. For the most part, there are people who come force us: do it like this! Do it like that! But this time we do it in a friendly informal way.
Thierry: This time must be more special than all the other times because we will play following our hearts [or as we like]. Yes, let’s use these words.
Add: P’Thierry has [something] special. He will have คลื่น waves/rhythm. [Add and Thierry start making wave motions together]
Thierry: Right now I have many postures. I’m a dancer.
Add: Marine department [I think it’s a pun].
Lek: Entertain.
Thierry: I’m a clown for anything like this. I want everyone to be happy.
Thierry: I got to this age, where if I want to do something, I do it.
Add: You’re close to death at this point.
Thierry: Close.

[Header: Remembered Concerts]
Fighting at Carabao concerts
Add: That, it seems like it was a set up. It’s a Pluak Daeng garbage disposal pit, and it appears there are people saying, I oppose the creation of the garbage disposal pit at Pluak Daeng, which I didn’t know anything about. On that day, I remember that many Thairath reporters got up all over on stage. On on that day my pictures was on page 1 [of the newspaper]. [I] jumped down and kicked [them]. Do you know why? After the first song that they got up on stage, I’m playing, they come, [he mouths a word that they whispered at him]. And they are sitting along the fence. [He mouths the word again.] It was a set-up! They set me up! Because the movement of the reporters was really strange. As soon as the third BLEEPED EXPLITIVE, I jumped off the stage and kicked him in the neck.

Add: There was one time someone threw a bottle onto the stage. He threw it towards the stage but didn’t quite make it. It hit against the stage. Bang! It smashed. Bang! This was at Surat Thani. I jumped down. Expletive, this expletive guy was huge. But, anyhow, I had already jumped down and put [it] on first.
Lek: Being on the stage [you] miscalculated, huh?
Add: As soon as I jumped down, woah! Expletive huge. So big.
Person off camera: P’Add, do you ever think about why the song Bua Loy would have fights [between gangs breaking out during it]? Why Bua Loy [particularly]?
Add: With the beat of Bua Loy, it’s very มัน (pleasing/enjoyable). The beat of Bua Loy is มัน. While [in] the lyrics of Bua Loy, he’s a fighter. So I don’t know. Maybe they will punch and hit each other, I guess. I really don’t know. You have to go ask them.

__________________________________________________________________________________

*”Young Man from Suphan” is a humorous Carabao song about a young man from Suphan coming into the big city. It is used here because Add himself was a young man from Suphan who came into the big city, Bangkok.

**Probably Laos, where young Thierry Mekwattana was an actor in a TV show, or Switzerland [Thierry is half Swiss]. The meeting of Add and Lek, and Thierry’s show in Loas is illustrated in the music video for the 4oth Anniversary song: 40 ปี ฅนคาราบาว See Sip Bpee Kon Carabao (40 Years of Carabao People) [Ye Olde Carabao Band: 40 Years]

***By “two people together,” maybe he means Add wrote that song and Thierry only sang it. And it was lucky from Thierry’s point of view that “Ham Tiam” was banned and not “Nang Ngam Dtu Grajok” because Add sings “Ham Tiam” and Thierry sings “Nang Ngam Dtu Grajok,” so the song Thierry famously sings wasn’t banned.

****To learn about the concept of an “October Person” see the Carabao song “Tears of the October Friends” and my introduction. To learn more about young Add’s involvement with communism (he wasn’t yet Add Carabao, which is a stage name), see “Che 2018” and the introduction. Some math: If Add’s 6 years helping the communists began around October 14, 1973 (including mass protests around Democracy Monument that Add says he attended as a young person who didn’t really understand what was going on) and lasted till the government amnesty for communists in 1980 (which Add has expressed his thanks for) that would be about be about 6 years, corresponding to ages 18 to 25, and he would have been 21 during the October 6 event (the massacre of protesting students at Thammasat University), which deeply affected him although I don’t he was directly there that day. The first Carabao album came out in 1981, one year after the amnesty.

Add Carabao has a new compilation album of his most poetic songs in ultra-HD, with an English language title, “Poem,” and ITS AVAILABLE IN THE US ON AMAZON MUSIC! (And the fact that there is an English-language title means you don’t have to type in Thai to find it.) For the record, the Thai-language title of the album is “กวี” which means “Poet.”

The music is good enough to stand on its own, even if you don’t understand Thai, but if you want to be blown away, see how the lyrics translate into English. Because these songs have lyrics that more than double the impact of the music, often including a punchline that will take your breath away.

If I were to pick 15 songs that best demonstrate Add Carabao’s poetic abilities, I would have something very close this album. And they aren’t all famous songs. Don’t be fooled by “Talay Jai” (Ocean Heart) as the inevitable opening song (Add Carabao’s favorite). For instance, this album includes an inexplicably overlooked song that has long been my personal favorite: “Kwam Jing” (Truth), which totally works as an atheist hymn. “All the faith eclipses the thinking and dreaming one should have.” And, “It’s in the study of genuine truth/reality that the world spreads out for a person.”

In Mai Pai someone on a rainy moonlit night is composing a song on a bamboo flute: “I tease a song from the fingers that flutter/ from the rain’s pitter-patter/ from the heart that cares . . . about you.” And in the next moment, through the power of music, we are contemplating the oneness of the human race and of the universe in general.

Rang Koy (The Vulture Waits) is similarly powerful. The first verse sets up a wild scene in a jungle where a vulture waits (to eat those who die along the path). There are streams flowing out of sight and cliffs that defy the sky. The second verse explodes by asking, Who understands the life of music? (Where does music come from?). We should let it go (sing out) like streams flowing out of sight. Like cliffs that defy the sky! And, as in all these songs, the music almost tells the story by itself — in this case by including the chirping of birds and other jungle sounds.

Luk Lung Kee Mao (Son of the Drunken Uncle) is a long vivid story with a poetic punchline that I will not give away. (In audio of the debut performance of this song, I thought I heard a collective gasp from the audience.) I had long argued that “Son of the Drunken Uncle,” written for the band’s 25th anniversary was even better than “The Drunken Uncle” (a fan favorite from the very first Carabao album).

Lok Hang Kwam Rak (World of Love) is a song that makes you want to light candles and all hold hands (or that was one friend’s response to it). Rak Tong Su (Love Must Struggle) is Thailand’s “I Will Survive” [a breakup] song. Ngem Jai (An Opening in the Heart) s another wholesome campfire song that encourages people to open their hearts, just a crack, to each other and let the truth out.

There are many lighthearted, playful, and humorous songs as well: Phi Suea Nak Su (Fighter Butterfly) is an infectiously upbeat song about a butterfly continuing to fly even with injured wings. Bor Yere Joye (No Big Deal), uses a dismissive phrase in Chinese that Add’s mother used to say, to cheer up the downhearted. And Tawan Tok Din,  (The Sun Sets) goes on and on in a a silly 50s doo-op style, complete with falsetto voice, about the fact that people can’t survive a drowning. I did a direct translation then went online to ask “What the heck?” A friend suggested this was yet another song about impermanence.  And believe it or not, the song suddenly made sense to me.

There are several more songs that for the moment I will categorize as “interesting” as I still need to think it over and/or translate them: “Sai Tan Tee Huan Kuen,” (The River That Flows Back), invites Thai expats to return home, offering sympathy for their plight. It came out in 2006. Is it being intentionally recycled for the current moment? “Pukawatketa” is a song involving the characters Arjuna and Krishna from an Indian myth. I have already translated an Add Carabao song titled “The Arrow of Arjuna” and its amazing, so we shall see. “Lung Fang” sounds like many other Carabao songs about idylic/not so idylic farm life, but that is just a guess based on the sound of a rooster crowing. [EDIT: The song is now translated] In Che’2018, Add Carabao takes a second run at memorializing Che Guevera, after regretting the result of an earlier attempt. Although this album’s version of “Che 2018” is in Thai, he also did a version in Spanish.

Below are the 15 songs as they are spelled on Amazon Music with hyperlinks to their translations here at Carabao in English. Four of the 15 songs already have rhyming translations, which I will link to. Three [EDIT: Two] have not yet been translated.

Ta Lay Jai
Mai Pai
Rok Tong Su
Che’2018 (Thai Version)
Ngam Jai
Sai Taan Tee Huan Kuen
Luk Lung Kee Mao
Tawan Tok Din
Rang Koy
Phi Suea Nak Su
Lung Fang
Bor Yere Joye
Lok Hang Kwam Rak
Kwam Jing
Pukawatketa

I got an interview with Add Carabao once to pitch the idea of doing an album in English using singable translations of his Thai-language songs (such as my own translations) plus some of his existing English language songs. At one point during this out-of-body experience, I was shouting “People need to know that you’re A POET! You’re a POET!”

An English-language album finally did materialize and it’s terrible. New songs were written directly in English FOR Add Carabao by a Thai composer who is A) NOT Add Carabao, and B) not completely comfortable with English. You can read about it HERE. Meanwhile, my fantasy album demonstrating Add Carabao is a POET! He’s a POET! has arrived. It’s just that the songs are still in Thai. And maybe that’s OK.